[Main Speaker] Avantgarde Acoustic / Duo omega G2 Duo Omega G2 Fact Sheet  

Duo Omega G2 Fact Sheet


Based on the classic Duo, the new Duo omega is a super–speaker combining extreme power with the pioneering Omega and CPC technology by Avantgarde Acoustic™. 

The Duo omega is a 2–way spherical horn system with integrated active subwoofer Sub 225 . Its ultra high sensitivity (107 dB/W/m) at 18 ohms system impedance and its hybrid concept with self–powered subwoofer makes it easy to drive with any amplifier. Even with low powered tube amps the Duo omega is able to deliver a powerful, dynamic and three–dimensional sound, because the power–demanding work at low frequencies is managed by the self–amplified Sub 225.


To significantly improve the sound quality Avantgarde Acoustic™´s Omega approach is based on two major concepts: simplification of the passive crossover design and high impedance voice coils.

Different to 2nd order conventional passive crossover with six components for a 2-way speaker, the Duo Omega crossover has only two components for the tweeter and no component for the midrange. Using no crossover in the midrange is usually not easy due to the large overlapping of the frequency response. Using their “Controlled Dispersion Characteristic” of the driver/horn configuration, Avantgarde Acoustic™ effectively controls the output.

This is how CDC works: The lower cut-off frequency of a horn loudspeaker is determined by the size of the horn. The larger the horn, the lower the response. Below the cut-off frequency of the horn, the response falls off steeply at 18 dB/octave. Avantgarde Acoustic™ speakers thus operate only down to their cut-off frequency limit and require no high pass filters. The upper frequency response is determined by the driver. However, it can as well be influenced acoustically by the horn. For this purpose.

Avantgarde Acoustic™ places a small chamber between the driver’s membrane and the horn throat. The driver does not emit directly but via a small air chamber into the horn throat opening. This air volume operates as a kind of band-pass filter and automatically filters frequencies above the resonance volume of the chamber (at 6 dB/oct.). By choosing an adequate driver with a natural roll-off at 6 dB in this frequency range, Avantgarde Acoustic™ obtains an acoustic attenuation of the frequency response of 12 dB without any passive frequency crossover. No further low pass filters are necessary! The CDC system thus causes the midrange to only operate within their operational band and steeply fall off at the transition points.

The attached graphics show the difference of conventional and the new Omega voice coils. To achieve very high resistance the voice coils of the Omega drivers are made with very long but very thin wires. Up to four windings are placed on the voice coil former. Elaborate production technology is required as the wire is so thin and easily breaks and the voice coil gap is so narrow. Now, why is the horn manufacturer taking so much energy and effort to simplify the passive crossovers and enhancing the impedance of their voice coils?. 

The key point is the damping factor. Damping factor is the technical term for the ability of an amplifier to control the movement of the membrane. E.g. simply speaking the force the amplifier applies to the voice coil to follow exactly the musical signal. According to common knowledge the damping factor is determined by the quotient of load impedance (driver) and output impedance of the amplifier. An amplifier with an output impedance of 0,04 ohm will thus theoretically have a damping factor of 100 when connected to an 4 ohm speaker. But this is a purely theoretical figure! In real life the signal has to pass a speaker cable and the passive crossover components till it reaches the voice coil. Using a typical 5m long speaker cable with an W-resistance of 0,36 ohm and a resistance of the crossover coil of 0,6 ohm, the effective real damping factor will decrease to a value of only 4! Connecting the same amplifier/cable configuration to the Duo omega will result in a real damping factor of 18, which gives 4,5 times more control and presicion! E.g. the control of the amp will increase by 450% and at the same time will reduce the negative effects of long speaker cables by 80%.

As a result the Omega drivers have more authority, less distortions and an excellent detailled response characteristics.


Although the Omega midrange driver is running full range without any crossover, the Omega tweeter requires a passive filter for thermal protection. As with all their products Avantgarde Acoustic™ was taking a very puristic approach. Less is more is the design philosophy. 

A potential limitation of any passive crossover is the capacitor required to filter low frequencies. A capacitor consists of two plates or conductors. As both plates are separated by a dielectric or insulator, the conductors have no direct contact but the signal is passed through a dielectric field. Every time the music signal is changing from the positive to the negative half-wave and vice versa the dielectric field gets inverted. The permanent change of direction of the field in a capacitor - a phenomen called “dielectric memory effect”- causes distortions which get worse the closer the signal passes through the zero point and are at a max just when the electric field changes its direction. 

To avoid these distortions Avantgarde Acoustic™ uses with the “Capacitor Polarisation Circuit” an elaborate approach. Different to conventional capacitors the CPC–capacitor has multiple conductor–foils connected with a special electric layout shown in the attached graphics. The CPC module up-converts the income music signal to the required voltage to bias the conductors. Only the inner conductor is biased with DC. In the CPC module a voltage cascade through a network of diodes increases the voltage of the music signal to a multiple. This high direct current is than fed into the inner conductor. Furthermore is the diode circuit electrically decoupled through a very high impedance transformer to avoid any backlash to the music signal. Already a view moments after turning on the music the CPC module has generated the required direct current to bias the capacitor. As the CPC diode cascade can buildup voltages by far beyond allowable levels, Avantgarde Acoustic™ has included a protective circuit to avoid overloading the capacitor.

The CPC biased capacitor has less distortions and can more precisely handle incremental signal variations.


The outmost care at choosing the drivers is the key to successfully transforming the theoretical advantages of the horn technology into an outstanding High End speaker. As mostly people focus on treble and bass response, Avantgarde Acoustic™ considers the midrange as the “heart” of each speaker system.

The Duo Omega offers the same technology as Avantgarde´s flagship model Trio. It features a sophisticated M2 omega driver with high impedance technology loading a 670 mm spherical midrange. 

The M2 omega is a 170 mm (7 inch) midrange driver with a 100 mm (4 inch) dome especially developed for the Duo and optimized for a large, linear excursion. 

Avantgarde Acoustic™ managed to increase the effective magnetic flow in the air-gap of the driver by eliminating the usual copper inlay of the pole-piece. The roll-off at higher frequencies caused by the higher inductivity of the voice coil and a specially designed dome was set to the exact crossover point of the tweeter.

Furthermore Avantgarde Acoustic™ added a powerful Alnico magnet to this new M2 omega development. This precious magnet material generates a powerful magnetic field which homogeneously controls the movement of the voice coil.

The M2 omega has a very low cut–off frequency with seamingless and crossover–less integration to the subwoofer. The design of the dome ensures a phase–neutral radiation of the sound waves into the midrange horn SH6704 and wide bandwidth of the extended midrange down to 170 Hz. 

The kevlar midrange cone of the M2 omega is coated with trillions of tiny microfibres generating a “Velours Damping Effect”. This incrementally small fur of the VDE technology cone effectively reduces partial resonances of the cone itself. Furthermore the microscopc fibres of the VDE technology help to effectively absorb high frequency distortions.

The Avantgarde Acoustic™ proprietary CDC system features a controlled roll–off at 2,000 Hz, and allows us to completely eliminate all passive crossover components in the signal path. This way the M2 omega gets the pure and non–distorted full–range signal directly from the amplifier! The nominal impedance of the M2 omega is a staggering 18 ohm and the sensitivity is 107 dB (1Watt/1m).


As the performance of the M2 omega midrange driver achieved Trio levels, Avantgarde Acoustic™ was able to use their flagship tweeter H3 omega for the new Duo Omega system.

This exceptional driver combines the smoothness of an electrostatic driver and the power of a strong 1 inch horn driver. The H3 omega features a voice coil former made of Kapton with a minimised air gap, a special geometrical shape of the 17 ohm voice coil and an ultra light diaphragm.

The mere force of the 3 kg (6.5 lb) magnet on the voice coil guarantees 100% detail and precision even at low volume levels, and provides the Duo Omega with compression-free sound reproduction at extreme sound pressure levels. 

With the spherical horn SH1801 the H3 omega offers an ultra wide bandwidth down to 900 Hz. Due to the passive crossover point being at 2,000 Hz Avantgarde Acoustic™ achieves a seamingless smooth sound with incredible dynamic headroom.


The Duo Omega is supplied with the active subwoofer Sub 225, which is driven by two powerful 25 cm (10 inch) long–excursion drivers.

The 10–ND500 long excursion drive unit is characterized by its extremely high efficiency and utmost power handling capabilities. The extended controlled excursion is +/– 7 mm. Exclusive neodym magnets with a special under–pole magnet topology are used to maximize the flux density in the air gap and to eliminate energy leakage of the magnetic field. The powerful neodym magnet with a very strong BL power factor and the very stiff but light membrane will ensure highest resolution and authority even with complex signals at extreme sound pressure levels.


The integrated active PA 106 electronics consists of a powerful 250 watt amplifier and an active frequency crossover. A forceful 330VA toroidal transformer and an energy reservoir of 60.000 μF providing ample energy reserves and dynamic headroom. 

In order to achieve full control to overcome the inertia of the driver mass, the PA 106 is equipped with Avantgarde´s genuine adaptive motional feedback circuitry. These ultrafast analogue electronics compensate for signal deviations induced by the circuit and drivers in real–time. As a result the Sub 225 achieves an astonishingly flat frequency response down to 18 Hz! Furthermore, even at very low listening levels – when the music signal is too weak to overcome the inertia of the bass driver mass – the adaptive motional feedback circuitry will seamlessly increase its power output for a full and rich bass response.

The active crossover allows the adjustment of a number of parameters thus ensuring a very easy and fast installation of the system even in acoustically critical situations. A 3–position subsonic switch, variable settings for the input sensitivity and crossover frequencies make the Sub 225 extremely versatile. The Sub 225 can be remotely switched on/off using the 12V trigger signal.

The Sub 225 is driven via high power speaker terminals for direct connection to integrated amps, power amplifiers or receivers or alternatively via XLR terminals. The signal take–off is not only at high impedance, but is also balanced and transformer coupled. This floats the subwoofer ground, avoiding hum loops and eases connection to balanced and bridged amplifier designs.

The enclosure of the Sub 225 is constructed from 1.2 inch MDF (28 mm). Designed with a centrally located reinforcing stabilizer, the box construction is very rigid, avoiding resonances.


The midrange horn is mounted into a circular housing cylinder with a solid cast aluminium back cover on its back end. The tweeter is located in a sealed compartment in the upper part of the subwoofer enclosure.

The entire loudspeaker system is placed on a solid cast aluminium base frame. The spike assembly of the base frame – featuring solid 55 mm spikes and massive adjusting handles – are easily accessible from the top. Newly designed aluminium spacers with knurled head screws, connecting the frame rails with midrange housing cylinder and subwoofer.

A selection of ten standard colors is available for the horns. This includes eight metallic lacquer finishes, the uni–color „Saona Beach Cream“ finish and the moderne „Stealth Nocturne Grey“ finish. The special „Shiny Citrine Orange“ multi–layer coating is available as an option.

The front panels can be ordered in any of the above horn colors, plus the elegant „Stealth Nocturne Black“ finish. Four different wooden veneers are available. As standard with matte surface and optional in shiny piano lacquer finish.

On this page you will only find a small selection of thumbnails of the color combinations possible. For a better overview you should visit our website www.avantgarde-acoustic.com. 

Here you can download a special Color & Finishes.pdf for each product. In this document you can find a nice overview of all front–panel combinations available for each of the horn colors. This will quickly guide you to your favorite horn–panel combinations.


On our website www.avantgarde-acoustic.com you will find as well a comprehensive color selection tool. Just go to the respective product within the HORN–section. Under DESIGN you can select the color of the horn and the color and veneer of the front panel. If you have found your favorite color combination, simply click on the download–button for a high resolution picture (6 mb).
이전 다음